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Portrait Gallery

The portrait gallery contains a selection of Rachel Clark's portrait commissions. Two of the works here have been selected for exhibition at the National Portrait Gallery London (BP Awards). Portrait paintings shown here are in oil and measure 12x12ins/31x31cm. A number of the portrait paintings here are from the "Contentious and Influential" project yet to be exhibited.

Portrait Commissions

Please contact Rachel Clark if you would like to commission a portrait once you have viewed the paintings in the portrait gallery below.

Portraits in Oil

(Click image to enlarge)
Francois Barthelemy, one of two portrait commissions in oil on view in the Rachel Clark portrait gallery
Francois Barthelemy
Portrait commission in oil of Francois Barthelemy on view in the Rachel Clark portrait gallery - contact Rachel Clark to commission a portrait
Francois Barthelemy 2
portrait commission in oil of Valerie Lardy on view in the Rachel Clark portrait gallery
Valerie Lardy
one of two portrait commission in oil of Valerie Lardy on view in the Rachel Clark portrait gallery
Valerie Lardy 2
portrait commission in oil of Dr Tony Druttman on view in the Rachel Clark portrait gallery
Dr Tony Druttman
one of two portrait commissions in oil of Andrew Barrett on view in the Rachel Clark portrait gallery
Andrew Barrett 1
one of two portrait commissions in oil of Andrew Barrett on view in the Rachel Clark portrait gallery
Andrew Barrett 2
Brian Paddick portait in oil from the series 'Contentious and Influential' on view in the Rachel Clark portrait gallery
Brian Paddick
DAC Met Police
portrait commission in oil on canvas of Anthony Ward on view in the Rachel Clark portrait gallery
Anthony Ward
portrait commission in oil on canvas of Mark Thompson on view in the Rachel Clark portrait gallery
Mark Thompson
one of a series of portrait commissions of chef Michael McGuinness on view in the Rachel Clark portrait gallery
Michael McGuinness 1
one of a series of portrait commissions of chef Michael McGuinness on view in the Rachel Clark portrait gallery
Michael McGuinness 2
Rabbi Julia Neuberger portait in oil from the series 'Contentious and Influential' on view in the portrait gallery
Rabbi Julia Neuberger 1
Bruce Kent portait in oil from Rachel Clark's series 'Contentious and Influential' on view in the portrait gallery
Bruce Kent 1
Bruce Kent portait in oil from Rachel Clark's series 'Contentious and Influential' on view in the portrait gallery
Bruce Kent 2
scientist Professor James Lovelock portrait in oil from the series 'Contentious and Influential' on view in the portrait gallery
Prof. James Lovelock 1
Playwright Edward Bond portrait in oil from the series 'Contentious and Influential' on view in the portrait gallery
Edward Bond 1
Playwright Edward Bond portrait in oil from the series 'Contentious and Influential' on view in the portrait gallery
Edward Bond 2
Mary Whitehouse portrait in oil from the series 'Contentious and Influential' on view in the Rachel Clark portrait gallery
Mrs. Mary Whitehouse CBE
Phillip Howe portrait commission in oil on view in the Rachel Clark portrait gallery
Phillip Howe
Mike Mansfield portrait in oil, one of the portait gallery examples of Rachel Clark's series 'Contentious and Influential'
Michael Mansfield QC 3
Mike Mansfield portrait in oil, one of the portait gallery examples of Rachel Clark's series 'Contentious and Influential'
Michael Mansfield QC 1
Helena Kennedy portrait in oil, one of the portait gallery examples of Rachel Clark's series 'Contentious and Influential'
Baroness Helena Kennedy QC
Dawn Airey portrait in oil from the series 'Contentious and Influential' on view in the Rachel Clark portrait gallery
Dawn Airey 1
Dawn Airey portrait in oil from the series 'Contentious and Influential' on view in the Rachel Clark portrait gallery
Dawn Airey 2
portrait commission in oil on canvas of Phil Parker on view in the Rachel Clark portrait gallery
Philip Parker
Rachel Clark portrait commission in oil of Nigel on view in the Rachel Clark portrait gallery
Nigel
Rachel Clark portrait commission in oil of DE Clark on view in the Rachel Clark portrait gallery
D E Clark
one of two portrait commission of Gordon Francis exhibited at the National Portrait Gallery London BP Awards 1992 on view in the Rachel Clark portrait gallery
Gordon Francis 1
one of two portrait commissions of Gordon Francis exhibited at the National Portrait Gallery London BP Awards 1993 on view in the Rachel Clark portrait gallery
Gordon Francis 2
one of a series of Rachel Clark portrait commissions in oil of Steven Foote on view in the Rachel Clark portrait gallery
Steven Foote
study for the Maudsley portrait commission on view in the Rachel Clark portrait gallery
Dr Marco Catani
portrait commission in oil of Christy Rhys on view in the Rachel Clark portrait gallery
Christy Rhys 1
portrait commission in oil of Christy Rhys on view in the Rachel Clark portrait gallery
Christy Rhys 2
Rachel Clark portrait in oil of Julius Nelki on view in the Rachel Clark portrait gallery
Julius Nelki
portrait commission in oil of Chris Haydon director Community TV Trust in the collection of N. Kohler on view in the portrait gallery
Chris Haydon
 

 

The Maudsley Portrait

To celebrate his team's achievements, Professor Robert Howard of the world-famous Institute of Psychiatry in London decided to commission a portrait of his team of psychiatrists and psychologists.

portrait commission of eight psychiatrists working at Maudsley hospital on view in the portrait gallery

8ft x 13 inches/ 244cm x 33cm

Rachel Clark on portrait commissions

"It is possible to create several portraits of one person which although vastly different all describe the sitter. It is relatively easy in a portrait commission to create a physical likeness, but this isn't enough, there has to be a sense of the person, not just of their physical presence, but of the quality of the inner person, the thing which makes them an individual. This is the heart of a  successful portrait commission.

"Having captured the outer shell, there is a process of losing this to find the 'inside' and sometimes I find that people will say - 'I have no idea if it looks like me but it feels like me absolutely, it's like meeting myself'. It's a fascinating process, the more you describe the inner person, the more the outer 'shell' can remove itself, and if you reinforce the outer, then the inner steps out of view. Finding the balance is a delicate matter, and how it is done I can't define. One of the psychiatrists from the group of eight I painted (The Maudsley Portrait Commission) said it was as if I had slipped inside their skins for a while, which is exactly what it feels like, and interestingly, a way I often describe the process."

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